Wires and Nerve: Gone Rogue

Gone Rogue coverWhat defines someone as human?  Can a personable android actually have emotions and thoughts independent of programming?  With the modern advance of technology, these futuristic questions may soon present themselves.  Whether or not humans face this dilemma, though, the concept is still an interesting one to explore, and science fiction opens up a medium in which authors and audiences can examine the questions in fictional situations.  Although androids and the definition of humanity have been present throughout Marissa Meyer’s Lunar Chronicles, they have remained side issues until the release of her most recent graphic novel Wires and Nerve: Gone Rogue.

Loveable and loyal android Iko is still on her mission to stop the Lunar wolf soldiers, especially the ringleader Lysander Steele, who are loose and terrorizing Earthens.  Meanwhile, Cinder is trying to improve precarious relations between Luna and Earth and is setting in motion her plan to abdicate the throne and establish a Lunar democracy.  On an Earth which is still recovering from the ravages of disease and war, Emperor Kai plans the annual peace festival that may not be so peaceful thanks to Steele and the wolf soldiers.

With these issues as a backdrop, Meyer uses her graphic novel to discuss challenging questions through her characters.  Confronting Lysander Steele at one point in the novel, Cinder tells him, “[U]ltimately it’s our actions that turn us into monsters.  Just as our actions determine our humanity” (194).  While I disagree that non-humans’ actions can make them human—such as the story seems to argue in Iko’s case—, I do think that actions play a part in identity and what or who we become.  Actions flow from a person’s existing identity and then reinforce it.  Lysander Steele and the other Lunar wolf soldiers turn into the monsters they appear to be because of who they are at heart and their consequent choices and actions, and yet just as humans so often do, they blame their behavior and problems on others, even though all the Lunar government could ever do was alter their outward appearance.  In Gone Rogue, Meyer points out that ultimately, no matter what other people may have done to us or whether we are misfits in society, we remain responsible for our actions.

For those of you who have kept up with The Lunar Chronicles and read the first Wires and Nerve graphic novel, the general elements of Gone Rogue are much the same.  Overall, the story seems a little less polished than the first Wires and Nerve, but mostly in little ways, such as misspellings and confusing action scenes.  I also continue to disagree with some of the portrayals of characters, especially how the Lunar wolf soldiers look (more about that in my review of the first graphic novel).  However, the characters and story remain fun and thought-provoking.  I am still undecided about some of the book’s themes, but I appreciate how Marissa Meyer uses her stories to grapple with the challenging issues of responsibility, love, trust, and identity.

arrietty pic

-ARRIETTY-

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Wires and Nerve

THE PREMISE

Wires and Nerve coverWhen I heard that Marissa Meyer was creating a graphic novel sequel to her sci-fi fairytale series the Lunar Chronicles, I was intrigued.  Unlike the previous books in the series, Wires and Nerve spotlights Iko, the android with a faulty personality chip that makes her more human than robot.

As an android and the ninth wheel on a team with four romantic couples, Iko is definitely the odd one out.  Iko’s human friends have all found their place in the world and are now heroes, but Earthens have yet to recognize the part Iko played in saving the world.  Worst of all, Iko is feeling useless, and as Iko explains, “No android likes feeling useless.  It’s in our programming to make ourselves as useful to humans…as possible” (66).  Iko’s plan for how she can be useful to her best friend Cinder is a surprising and daring one.  Cinder needs someone to covertly capture the rogue Lunar wolf soldiers who are terrorizing Earth and return them to Luna for trial.  Dress-loving romantic Iko decides that she is the secret agent for the mission.  After all, the worst damage a wolf soldier could inflict would merely mean a trip to an android parts store, right?

STORY AND STYLE

Iko

Marissa Meyer crafts a story that remains true to the style she created in the Lunar Chronicles.  Her writing is clever and fun.  In spite of the change in genre, the tone of Wires and Nerve is surprisingly similar to the previous books, and the characters remain largely the same.  Iko and Thorne’s characters transition the best, while Cinder, Winter, and Cress seem a little bit stunted compared to their old selves.

I think when authors take a story and then turn it into a graphic novel—rather than starting the book as a graphic novel from the ground up—they often sacrifice clarity, tone, or character development to make the new visual style work.  I’ve noticed this trend in books like Matt Phelan’s Snow White, Art Ayris’ The Last Convert of John Harper, and Amity Shlaes’s The Forgotten Man.  However, what these books and Wires and Nerve lose is gained back in different ways, especially in the artwork.

ARTWORK

I really like Doug Holgate’s art in Wires and Nerve.  The action is easy to follow, the characters are dynamic, and the scenery is detailed and interesting.  As a standalone graphic novel, the artwork is good; however, as a sequel to the Lunar Chronicles, I do have a few problems with the graphics.  Except for Iko, the characters from the original series don’t look like I expected them to.  In particular, the wolf soldiers look wrong.  They are kind of silly—a little bit like trolls or ogres, not like men who have been genetically modified to have wolf characteristics.  These failings are pretty significant to me, but the other aspects of the story, style, and art help balance out problems with characters’ appearances.

Iko

CONCLUSION

While Wires and Nerves is not quite on par with the rest of the Lunar Chronicles, it is still a fun sequel.  The new graphic novel layout limits the storytelling at times but also adds some freshness and originality.  Author Marissa Meyer successfully integrates the graphic novel format with the style, setting, and characters from her previous sci-fi fairytale novels.

arrietty pic

-ARRIETTY-